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You're narrowing the chance for distraction, so that your concentration can be more complete. What it does is if you're far away from who you are, it just gives you the ability to have a focus and a hook that's complete. On why he sometimes stays in character between takes (like he did with Phil) But to marry the brutality of being able to master the hard work in that hard landscape and those hard times with this amazing delicacy and sensitivity, I thought that was at the core of his character. whittling or whistling loudly, or the horse riding skills or any of the other kind of attributes this character has at his disposal. And those four species working together was just something profoundly affecting, and realizing that and the connection to landscape was really as informative as any of the specifics of. There was one moment when we were driving cattle and there were horses and there were men, there. extraordinary in the sense that it's often a coordination between four species. I knew I'd get snapshots or feelings of who Phil was from my encounter with people who actually lived that life in Montana, and who were graceful enough to let me into their world and educate me and give me an access to that extraordinary experience of working with animals. On going to what he called "dude school" in Montana But it certainly wasn't a playground role-play thing for me, and it wasn't something I grew up fantasizing about or knowing anything about. And then the revisionist era of Clint Eastwood's Unforgiven began as well, which, for me, was at a very formative time in my cinema going experience.
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I thought, ah, here's deliverance from an unassuming hero in a way. But also, for me, I think where I really clicked into it was probably High Noon. I guess the first inkling I had of traditional Westerns, it was the more sort of John Ford tough man, the John Wayne.
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I had a little understanding of it from university, from studying cinema at that stage of my life. But no, I certainly didn't have a history of it. about as far from my lived experience as you can imagine, which I guess is part of the enticement of wanting to take this character and this milieu on. On his understanding of the American West prior to filming The Power of the Dog
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